Story by Alan Brennert | ||||||||||||||||||||||||||
Directed by Wes Craven | ||||||||||||||||||||||||||
Original Airdate - December 13, 1985 | ||||||||||||||||||||||||||
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A bewitching tale of fate, reincarnation, and lost and found love, "Her Pilgrim Soul" is a tour de force. It is one of the single best teleplays presented on television, ever. Everything in it, ideas, pacing, writing, directing, casting and special effects, combine to make it a mesmerizing production. I remember the first time I watched this, on it's original broadcast in December 1985; I was floored by the story and how the emotions it stirred made me feel. 99.9% of television doesn't even attempt to get to this level of intelligent writing. I can still watch it today and experience those same feelings of wonder, sadness and hope. It's probably the reason I created this website, and why I became the champion of the series. Alan Brennert, who was one of the main creative forces behind the new Twilight Zone, wrote the teleplay for the NTZ in honor of a friend that died. He later turned the teleplay into a short story, which is in Alan's book "Her Pilgrim Soul, and Other Stories;" this is a stellar compilation and should be in your library. It also features Alan's short story "Healer," which is one of the earlier new Twilight Zone episodes. The casting in this episode couldn't be better. Anne Twomey IS Nola; there is no other way to describe it. She does such a good job that it doesn't seem like acting. Twomey must portray a woman from young adulthood through old age, and while makeup does help with the progression her abilities are such that she makes us believe she is actually growing old before our eyes. Her joy at finding the poetry of William Butler Yeats is palpable, yet the sly gleam in her eye as she discusses how upset her father was when he found out she was reading it, is priceless. Yeat's poetry is prominent in several places in the story, and might be called the "wrapper" of the piece. Kristoffer Tabori does an exemplary job as Kevin, the man who loves his wife but is afraid to love her too much, just in case he loses her; he has no idea why he has this irrational fear. He portrays Kevin as a man so conflicted and confused that he cannot deal with his married life anymore. Though he has no memories of his prior life, when faced with the loss of Nola again he does finally remember enough to say that he can't lose her again, and renders himself speechless. He is visibly shocked to come to this realization, and Tabori's acting here is incredibly nuanced. Wendy Girard has the small but pivotal role of Carol, Kevin's wife in his present life. She has about seven minutes of screen time, but she makes her presence felt. Her voice is distinctive, and her demeanor in those seven minutes changes from confident, to wounded, and on to triumphant at the end. She hits every right note in her performance, and we're left to feel that she deserves all of Kevin's love, not just part of it. Gary Cole is steady and questioning as Kevin's lab partner, who hits the street to find out Nola's background. Nelson Welch, a member of Eva La Galienne's famed theatrical company from the earlier part of the 20th century, even makes a cameo appearance as one of Nola's friends from the 1930's; he does a wonderful job of setting up the final twist in the story. The special effects in this piece are part of the story. The "virtual display" device, which functions rather like a hologram, is done neatly. The pinkish overlay added post-production gives a ghostly aura to the objects in the display device, making it seem as if they are not real objects, or people. Back in 1985 the computers were certainly impressive, though they have lost that feel when watching it today. The sounds of the old keyboards, though, bring back memories for me. |
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